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Joined 13 days ago
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Cake day: September 28th, 2025

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  • Thanks but he obviously can’t be a teenager if the main character is 15 and their friends are in their 20s, and their love interests are adult women in their 20s or 30s, then the entire “justice” and “hero” theme gets severely crushed.

    No one is going to care that the older woman died; if she’s 31 and dating a 15-year-old, most people will think she deserved it, and the whole “protect the innocent” and “punish the guilty” idea collapses when the protagonist is a victim of grooming. Their two closest friends, who are 25, look bad too. They’re supposed to be “best friends,” practically family, but they’re okay with this kid being exploited by adults. That makes them look like accessories.

    And while it does happen in real life, it’s still hard to believe that a 15-year-old would date a 30-something and not get caught. None of the adults around them say anything? No one reports it? At least if the protagonist were 18 or 19, they’d be legally an adult, and there wouldn’t be much anyone could do. But at 15, there’s a moral and legal obligation to step in.

    Also, if this kid wants to protect women and children, that belief gets contradicted if they’re constantly being groomed with no one protecting them.

    If the protagonist is 21 instead, everything clicks into place. They’re an adult, able to consent, and responsible for their choices. That’s why people don’t question similar age-gap relationships in other stories—because both parties are adults. The older partner might raise eyebrows, but it’s not immoral or criminal. It’s simply a relationship between consenting adults.

    If the character is written as 15 while every partner is in their 20s, 30s or 40s the audience’s moral sympathy shifts immediately. Instead of seeing them as a driven vigilante fighting for justice, they become a victim of repeated grooming, which completely changes the story’s emotional core. Every relationship turns into an ethical red flag, and every adult around them looks negligent or complicit. Even if the intent is to make trauma part of their origin, it undercuts the “justice” theme because the abuse overshadows their heroism.

    From a realism standpoint, it also breaks believability. A 15-year-old involved with multiple adults wouldn’t just slip under the radar—someone would notice, report it, or intervene. So unless the story is explicitly about systemic corruption or institutional failure, it just doesn’t hold up.


  • No hes not lol But to answer your question, my main character is 21 at the start of the story when they become a superhero, but the real exciting stories come in “Year Two” when my character is 23 years old.

    I made them 21 because his love interest is 10 years older than them, and the story is supposed to be about love and grief and an innocent man or woman dying, which motivated them to be a superhero. If my character is 15 dating a 31-year-old, the entire theme of justice and love gets completely undercut because they are a child predator. As weird as the age gap might be, my character is an adult when they meet.





























  • “young adults or adults” seems to imply young adults are not adults, which they are

    I know I’m saying younger adults or maybe slightly older adults, like the youngest being 21 and the oldest being 25 or something. If you want the characters to be in close proximity with each other and still have this school dynamic, then college is perfect; there are people in their late 20s or early 30s getting their PhDs in these teen dramas. The writers never actually show the awkwardness of high school; they only want to show them talking, acting and doing adult things but never really show the consequences or have teens realise maybe they are too young for this. If you want a show where the characters look, act, and do things 21-year-olds do with little to no consequences and no adults even asking the slightest of questions, then just make them 21 and in college.