A new comedy special starts with the quote, “I’m sorry it took me so long to come out with new material, but I do have a pretty good excuse. I was dead.”
The voice sounds like comedian George Carlin, but that would be impossible, as Carlin died in 2008. The voice in the special is actually generated by an artificial intelligence (AI).
“This is not my father. It’s so ghoulish. It’s so creepy,” Carlin’s daughter, Kelly Carlin-McCall, told As It Happens host Nil Köksal.
The YouTube account Dudesy, which is described as a podcast, artificial intelligence and “first of its kind media experiment,” released the hour-long special on Jan. 9. CBC reached out to the producers of Dudesy and its co-host Will Sasso for comment, but did not get a response.
Sasso and co-host Chad Kultgen say they can’t reveal the company behind the AI due to a non-disclosure agreement, according to Vice. The channel launched in March 2022.
Carlin-McCall said the channel never reached out to the family or asked for permission to use her father’s likeness. She says her father took great pride in the thought and effort he put into writing his material.
And why would they need to consent to it? Do Elvis impersonators need to get consent from his family to dress and and sing and act like him? This is especially true if it isn’t performing his work but new stuff in his style. Comedians learn from each other all the time. Carlin himself had listed a bunch of comedians who have influenced his style.
Your heart is in the right place, and I understand what you’re saying. Impressionists have always been a thing. People who emulate the art styles of greater artists have always been a part of the culture, and should be.
But there’s a critical difference with AI, because it is quickly approaching a point where it can create copies so high-fidelity that they are indistinguishable from the originals. Crucially, they will be doing this with a relatively small amount of actual effort from those who wield them. We need to put protections in place for original creators, or before we even understand what’s happened, all of culture will be driven by AI-produced remixing, and as those technologies are controlled by mega-corporations, everything about art we hold dear will be sold to appeal to algorithms. It’s not too late to put the brakes on yet, but that won’t be true for long.
I think the question as to whether or not it should be illegal is a different question. I could easily be convinced it should. However, I’m hesitant to support making something illegal, especially when it so closely resembles something that is currently legal, simply because of fear of what might happen.
I share your concerns for sure tho.