• 0 Posts
  • 42 Comments
Joined 2 years ago
cake
Cake day: June 18th, 2023

help-circle



  • Just want to say, with more than just an upvote, that I agree with you. My shit-eating grin at the news did fade when learning that his children were in the crowd. They did not ask to be born with that dickhead as a father, and now have to live with one of the most traumatic thing a child can go through.

    I think one can be happy that there is one less fascist spewing hate in the world, but still feel sympathy for a couple of innocent children. There is no contradiction here.








  • TriangleSpecialist@lemmy.worldto196@lemmy.blahaj.zonerule
    link
    fedilink
    English
    arrow-up
    40
    arrow-down
    1
    ·
    10 days ago

    They should also not own a television, or a smartphone, and generally not indulge in any vice such as drinking, smoking or, god forbid, doing drugs.

    The shitter your situation is, the less deserving you are to take part in society and to try to get some respite via a bit of escapism apparently.



  • Not stupid necessarily, but profoundly misanthropic.

    I have never talked to or read from an AI shill who did not have a severely depressing view on humanity, with arguments being a variation of “oh yeah, LLMs are just parrots but so are we/so are most people”, and “comprehension is just pattern matching anyways”.

    Which is really darkly hilarious in a way, because if you think of older, now clichéed, sci fi stories, then treating a machine capable of feelings and comprehension as a human rather than a tool is the human thing to do. But these people are so backwards that

    1. They rob us of humanity to put us on the same level as AI.
    2. They still treat the LLMs (which should now be human) as tools and therefore deny them of humanity too.

  • Thanks for this answer, really.

    You saying about this film having a lot of documentation around the lost 43 minutes made me look into it. I did not know the story behind it, i.e. it being already cut by Welles, then the 43 minutes being cut out by studios, plus a lot of research and reconstruction already being made around it. Adding to that the fact this is not (thus far) a commercial endeavour, it does paint it in a different light. Finally, from what I can gather, it seems the “AI” being used here is more deepfake stuff on live scenes and less full image generation (which is the image that the text conjured for me, this is the problem with catchall marketing terms…)

    All that to say, while I personally am not into these kinds of efforts (AI or not, but I appreciate the subjectivity of that sentiment), and have my reservations about using these techs to reanimate long dead artists who don’t have a say in the matter, your comment did show that the process, in this particular instance, seems to be very different from what I had initially imagined, so thank you.

    Sorry about the downvotes and potentially angry responses you are/will be getting, I did not mean to lay down a trap for you.





  • You weren’t wrong across the board though. I know it’s hard to focus on the positives these days, and we are constantly bombarded with depressing and inane content, but we can’t lose sight of them.

    It’s hard to overstate how much the internet has made scientific research and collaboration easier for instance. The sheer amount of research being done has exploded, and it’s far from being all slop. Publishers try their best to paywall the articles but they’re still available nonetheless.

    And what about all the art that is shared online by people who would never, in a million years, have been able to show their creations to the world before the internet. Not to mention the people who don’t share it but can make it because of freely available information.

    I know it’s not as idyllic as you probably foresaw it (yeah, understatement of the century, I know), but it did happen, even though unfortunately it also led to a gigantic pile of shit. Both can be true simultaneously.