This is the best summary I could come up with:

Leaving very little room for interpretation, Crowley and Aziraphale — the respectively demonic and angelic main characters of the Amazon fantasy-comedy series — engaged in some distressingly emotional snogging during the last moments of this season’s final episode, thereby ending over 30 years of speculation about the nature of their relationship.

Ineffable Husbands — the ship name for Crowely and Aziraphale — emerged after Good Omens was released in 2019, but some fans have endorsed a relationship between the two since the original novel penned by Gaiman and the late Terry Pratchett debuted in 1990.

Plus, a vast majority of these interactions take place in London’s Soho district — the beating heart of the city’s queer community — which has lost several of its once-iconic LGBTQ+ spaces to redevelopments and gentrification over the years.

So the minute Crowley’s lips canonically smashed into Aziraphale’s, I shrieked, sobbed, and called every other queer friend I had to demand they add the series to their watch list.

During a press junket ahead of the show’s premiere (which took place before the SAG-AFTRA strike officially began), I spoke to David Tennant and Michael Sheen about the new direction their characters took this season.

And it does so unapologetically and positively — a host of characters are verbally identified as being queer or genderless, which is a breath of fresh air compared to shows that leave these things open to interpretation, thereby denying viewers from seeing themselves officially represented.

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