#photography nerditry:

Is it worth using a monochrome sensor for making digital B&W photos?

TL;DR: Sometimes, but the benefits are relatively limited and may not outweigh the cost and hassle.

I make mostly B&W photos, at least in my fine art photography practice. I’m fortunate to have both the color and achromatic (B&W) versions of the sensor I use in my main camera system, but I usually (about 80% of the time) use the color sensor and convert to B&W in post processing.

The tradeoffs:

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  • Matt Blaze@federate.socialOP
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    1 month ago

    By the way, I’ve spoken to photographers who insist that using an achromatic sensor is essential for artistic purity and integrity, but I think those are the same people who a decade earlier were claiming that digital photography isn’t sufficient pure.

    If I wanted to make it gratuitously harder to make photos I’d just go out without my eyeglasses.

    • Julien Goodwin@aus.social
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      1 month ago

      @mattblaze@federate.social I had a really interesting answer from an exhibition curator last year who insisted that non-chemical photography simply isn’t photography. While I don’t agree he was at least coherent about it which made for an interesting perspective.

    • Matt Blaze@federate.socialOP
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      1 month ago

      For me the bottom line with achromatic sensors is to focus on what they actually do and don’t contribute to your particular needs, and avoid indulging in sweeping romanticism about “purity” and whatnot.

      • Matt Blaze@federate.socialOP
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        1 month ago

        Also, another practical disadvantage of achromatic sensors: there are hardly any cameras on the market that have them, and those that do are generally at the high end of the price scale. Phase One and Lecia have achromatic versions, and maybe a few others. And you typically pay *more* for the privilege of not getting the Bayer and IR filters (because the achromatic versions are much more a specialty product).

        As always, use whatever tools work for you.