If our world should one day cease to exist, and some improved civilization from another galaxy stumbles upon our popular culture and seeks to understand all the fuss about Emma Stone — well, we now have the film clip they should see.
It’s toward the end of her latest collab with Yorgos Lanthimos, the challenging, intriguing, perplexing-if-not-downright- infuriatingly-opaque “Kinds of Kindness.” Stone is doing an improvised victory dance, and it’s glorious.
What’s clear is that the Stone-Lanthimos pairing, in their third feature together, is continuing to nurture an aspect of Stone’s talents that increasingly sets her apart: Her fearlessness and the obvious joy she derives from it.
These three segments, which together run close to three hours, are separate stories with different characters, and an overarching theme that can best be explained by parsing the lyrics of a Eurythmics song.
Raymond decides it all, and that’s fine with Robert — it even gets him cool gifts, like a smashed John McEnroe racket — until he’s asked to basically commit manslaughter.
But the “whoa, what?” feeling you may have at the end of the second part can’t fester, because soon we’re in a cult, where the only liquid members can drink is sanctified by the tears of creepy leader Omi (Dafoe, who else?)
The original article contains 1,001 words, the summary contains 212 words. Saved 79%. I’m a bot and I’m open source!
This is the best summary I could come up with:
If our world should one day cease to exist, and some improved civilization from another galaxy stumbles upon our popular culture and seeks to understand all the fuss about Emma Stone — well, we now have the film clip they should see.
It’s toward the end of her latest collab with Yorgos Lanthimos, the challenging, intriguing, perplexing-if-not-downright- infuriatingly-opaque “Kinds of Kindness.” Stone is doing an improvised victory dance, and it’s glorious.
What’s clear is that the Stone-Lanthimos pairing, in their third feature together, is continuing to nurture an aspect of Stone’s talents that increasingly sets her apart: Her fearlessness and the obvious joy she derives from it.
These three segments, which together run close to three hours, are separate stories with different characters, and an overarching theme that can best be explained by parsing the lyrics of a Eurythmics song.
Raymond decides it all, and that’s fine with Robert — it even gets him cool gifts, like a smashed John McEnroe racket — until he’s asked to basically commit manslaughter.
But the “whoa, what?” feeling you may have at the end of the second part can’t fester, because soon we’re in a cult, where the only liquid members can drink is sanctified by the tears of creepy leader Omi (Dafoe, who else?)
The original article contains 1,001 words, the summary contains 212 words. Saved 79%. I’m a bot and I’m open source!