“We’ve almost got some of their telecommunications cracked; the front end even runs on a laptop!” The Mac that sunk a thousand ships could have been merely clunky product placement, not a bafflingly stupid tech-on-film moment.
“Senator Amidala is in a coma. Even if she recovers, she will never be the same and may not live long.” But no… George had to have his god-damned funeral scene, even if it demanded Simone Biles levels of mental gymnastics to save Carrie Fisher’s most emotionally resonant moment from ROTJ, as well as one of the more intriguing OT lore dumps.
Bonus points if a scene was scripted or filmed and got cut.
I’m digging deep in my memory here so I can’t provide any details, but there was one episode from a very early season of Grey’s Anatomy where I got to the end of the episode and thought, “wait, did they ever solve this episode’s medical mystery?” There was a lot of doctor-plot that episode and the patient plot just kinda got dropped. Well I watched the deleted scenes for that episode, and low and behold there’s a line where they explain exactly what was going on with the patient. It wasn’t the real highlight/purpose of the scene, but I’m still shocked they would cut it because it left an entire plotline (albeit just for that episode) completely dangling.
I haven’t watched any Grey’s Anatomy to speak of, but I suppose that sounds about right from what I’ve heard.
I haven’t watched the series in over a decade so I have no idea how it’s aged (or how my tastes have changed as I’ve aged) but I remember the early seasons being quite good. Gray’s Anatomy was really popular the first few years that it aired, and at least at the time I thought it was deservedly so. I think I dropped the show around season six? It was getting too soapy/ridiculous and the plot was starting to go in circles. They ratchet up the tension really high pretty early on (both on the medical drama and doctor-relationship drama sides) so the writers inevitably set themselves up for failure, because this isn’t a shonen power fantasy, you can’t just keep driving things up to higher and higher stakes and still remain within the confines of reality.
For instance, in a very early season there’s a really bad train crash where a bunch of patients flood into the hospital and I remember it being a huge climatic thing with some fantastic episodes. Then in a later season they have a bad ferry crash plotline that falls flat because they already did the train crash, and the emotional impact of this huge public transportation disaster was significantly diminished by a sense of “didn’t we go through this already?”
I cannot believe that the show is still going, mostly because I’m amazed they have any audience left.
Yeah, my wife wanted to watch it together and we got burned out on the repeated catastrophes. At some point they move onto dramatic plot disasters that include a bunch of the hospital staff, to make it more exciting. The show went on for a ton of seasons after we dropped it, so presumably they found some way to make it even more dramatic than a disaster that kills a 3rd of the hospital every season finale.
Watching the show on netflix was also bad for emotional whiplash. They would build all season up to two doctors confessing their love in the season finale, and then immediately in the next episode (new season) they would be broken up again. I suspect it felt more natural with the delay between seasons in-between episodes, but watching them back to back like that felt jarring.
Looks like it has eroded significantly over time, but I guess with a sticky core audience and a shrinking expectations for network TV, it’s got its niche.
While I haven’t seen it personally from what I can recall. There apparently exists an episode of Midsomer Murders where the motiv of the killings got cut before airing.
Fun to hear Gray’s also managed to do that blunder. Wonder if any other similar shows have do the same. Feels kinda easy to accidentally do in that type of shows, if you do a very character focused episode.
There’s an episode in House where they do that. But it turns out that it’s all just Houses imagination anyway, and so that makes sense because really everything is about him. So it makes sense that nobody cures the patient if he isn’t there.