Also to add some more defense for Zimmer, the BWAAAAH is actually the main theme slowed down a ton. Zimmer does a lot of expiramental shit in big budget films and I respect it. Besides, neither composer has shit on Bear Mccreary and his unstoppable hurdy gurdies and kazoos!
Point taken on mistaking Oppenheimer’s patently generic score for a Zimmer work. I actually enjoy Nolan films, otherwise I wouldn’t go to see them.
Klaus Badelt (who wrote the completely - IMO - non-piratical theme to PotC… seriously, could have been in the Rock and it would have made no difference) and Steve Jablonsky both came out of RC, and both write music that is indiscernible from the atmospheric, non-specific stuff that Zimmer has been making for 25 years. Everyone Zimmer has influenced sounds like they compose by smearing a varnish of LOUD around the film.
I grew up listening to HZ, he has reached incredible heights at times. But right now he owns a music factory that is 99% operated by other people, and puts his name in as composer of primarily others’ work. Yeah, it’s the contract they signed, but I don’t think it makes him a great composer.
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No, the music for PotC was composed by Klaus Badelt. Hans Zimmer did score movies 2-4 though, but used a lot of themes that were already established.
Not arguing for or against either wqy, as I’m a fan of both, but I wanted to add that the themes for the Kraken and Davy Jones are lit
There’s no arguing that, totally agree!
Also to add some more defense for Zimmer, the BWAAAAH is actually the main theme slowed down a ton. Zimmer does a lot of expiramental shit in big budget films and I respect it. Besides, neither composer has shit on Bear Mccreary and his unstoppable hurdy gurdies and kazoos!
Point taken on mistaking Oppenheimer’s patently generic score for a Zimmer work. I actually enjoy Nolan films, otherwise I wouldn’t go to see them.
Klaus Badelt (who wrote the completely - IMO - non-piratical theme to PotC… seriously, could have been in the Rock and it would have made no difference) and Steve Jablonsky both came out of RC, and both write music that is indiscernible from the atmospheric, non-specific stuff that Zimmer has been making for 25 years. Everyone Zimmer has influenced sounds like they compose by smearing a varnish of LOUD around the film.
I grew up listening to HZ, he has reached incredible heights at times. But right now he owns a music factory that is 99% operated by other people, and puts his name in as composer of primarily others’ work. Yeah, it’s the contract they signed, but I don’t think it makes him a great composer.