45 million monthly listeners on Spotify. That is 10 million more than The Beatles right now. 60th overall on the top list of plays just above Michael Jackson. Half the amount of TSwift
The only thing I know about Bad Bunny is someone responded to you about Happy Gilmore 2. Idk I’m out of all the loops so this chapel person is a non entity for me, unless one of my niblings mentions them.
The only thing I know about Bad Bunny is that they… It? Is going to be in Happy Gilmore 2. I learned that a week ago, and this is as far as I’ve gotten. That’s more than I know about Chappell Roan, but I approve their message.
This is why I used Spotify listeners and not plays or ticket sales or album sales. It’s a metric that doesn’t really require a band to be currently active. New hits will clearly improve the metric but we’re talking here specifically about a person’s outreach today and influence on a voting population.
The idea that more individual people listened to her music than had a single Beatles song in their playlist or a single Michael Jackson song in their playlist is pretty insane. I know I listen to at least one Beatles song a month, it doesn’t matter if it is new.
Still, not as many people listen to older bands even if they are fans and especially for older bands people tend to listen more in other mediums
Take any videoclip from YouTube for example of any of the greatest song that is a 3, 4, 5 decades old and it will have far less views than a mild reggaeton hit from last summer, even if the old song has had far longer to accumulate views
It’s really sad to me that modern youths and others tend to only listen to streaming music services, paying subscriptions, listening to ads, not being able to choose what song they hear next.
Everyone should own some form of permanently usable media with the music they like on it. If bands were still putting out CDs I’d recommend that for long term storage, because my collection from the 90s is still working fine. But with smartphones being the king of all social control now, I’d recommend having MP3s of every song and album you enjoy. Store them in multiple places with backups. I have also been collecting those since the 90s. My music collection is awesome. I have hundreds of CDs and about 10000 MP3s that no corporation can deny me access to.
The only thing I like about streaming services is discovering new artists. But I don’t need it to do that.
The big issue is that physical media degrades. A cassette tape wont sound the same as it did after just existing for 20 years. CD’s and Vinyl records if kept really well can last for 100 years or so but are delicate in other ways and a bad record player can cause permanent damage.
Preserving the experiences of others, art, media is important, but at the end of the day nothing we do is permanent. I know that thanks to online archives I can go and find old music if I need to. I am glad some folks preserve hard copies but a preserved collection isn’t really a functional one and a functional one isn’t really going to last 50 or 60 years at the same quality as what you can get from streaming.
A lot of the music I’ve heard from her (supposedly she’s been making music for like 10 years but I’ve only heard her most recent album and single) is about the pain of being a flamboyant, proud, energetic queer woman who has been in multiple situationships with women who don’t believe themselves to be queer, or who aren’t out of the closet.
I’m a sucker for emotional contrast so I can’t get enough of the upbeat sound she has since it pairs so well with the sadness.
“Good Luck Babe” is specifically about being in a relationship with a woman who is in denial about being a lesbian; hence “you’d have to stop the world just to stop the feeling so good luck, babe”
“Casual” is another good one about having a physical relationship with someone who insists that it’s casual and just a phase but Chappell knows it’s more meaningful to the person deep down but can’t avoid the pain that comes from that person denying her queerness and transitively denying the meaning that Chappell has in her life.
The sound probably isn’t for everybody, but the intensity of the feelings that are conveyed through the music are something I know every human can relate to.
I know of Chappell Roan because she’s recently been ruffling people’s feathers by asserting boundaries against fans’ parasocial weirdness; I’ve never heard any of her music, but this alone is enough to make me a fan.
Good… but also I have no idea who that is 👴
45 million monthly listeners on Spotify. That is 10 million more than The Beatles right now. 60th overall on the top list of plays just above Michael Jackson. Half the amount of TSwift
So they are a well known artist.
Reminds me of when I asked who Bad Bunny was
Reminds me of when I asked who Pooborg Sea Cucumber was
You made that name up
I thought that’s what we were doing
All names are made up.
The only thing I know about Bad Bunny is someone responded to you about Happy Gilmore 2. Idk I’m out of all the loops so this chapel person is a non entity for me, unless one of my niblings mentions them.
The only thing I know about Bad Bunny is that they… It? Is going to be in Happy Gilmore 2. I learned that a week ago, and this is as far as I’ve gotten. That’s more than I know about Chappell Roan, but I approve their message.
Oh, did the new Beatles album drop?
I mean, using these spotify metrics in comparison with all time greats is kinda flawed.
For example my band sold just as many tickets as Michael Jackson and the Beatles COMBINED in 2024.
I am not in a band.
This is why I used Spotify listeners and not plays or ticket sales or album sales. It’s a metric that doesn’t really require a band to be currently active. New hits will clearly improve the metric but we’re talking here specifically about a person’s outreach today and influence on a voting population.
The idea that more individual people listened to her music than had a single Beatles song in their playlist or a single Michael Jackson song in their playlist is pretty insane. I know I listen to at least one Beatles song a month, it doesn’t matter if it is new.
Still, not as many people listen to older bands even if they are fans and especially for older bands people tend to listen more in other mediums
Take any videoclip from YouTube for example of any of the greatest song that is a 3, 4, 5 decades old and it will have far less views than a mild reggaeton hit from last summer, even if the old song has had far longer to accumulate views
It’s really sad to me that modern youths and others tend to only listen to streaming music services, paying subscriptions, listening to ads, not being able to choose what song they hear next.
Everyone should own some form of permanently usable media with the music they like on it. If bands were still putting out CDs I’d recommend that for long term storage, because my collection from the 90s is still working fine. But with smartphones being the king of all social control now, I’d recommend having MP3s of every song and album you enjoy. Store them in multiple places with backups. I have also been collecting those since the 90s. My music collection is awesome. I have hundreds of CDs and about 10000 MP3s that no corporation can deny me access to.
The only thing I like about streaming services is discovering new artists. But I don’t need it to do that.
The big issue is that physical media degrades. A cassette tape wont sound the same as it did after just existing for 20 years. CD’s and Vinyl records if kept really well can last for 100 years or so but are delicate in other ways and a bad record player can cause permanent damage.
Preserving the experiences of others, art, media is important, but at the end of the day nothing we do is permanent. I know that thanks to online archives I can go and find old music if I need to. I am glad some folks preserve hard copies but a preserved collection isn’t really a functional one and a functional one isn’t really going to last 50 or 60 years at the same quality as what you can get from streaming.
Where do you think the “quality of streaming” comes from? They don’t have access to any technology superior to what any of us can have at home.
Her music is infectious. Think 80’s Madonna if she were progressive, very lesbian, and even sadder and somehow more vengeful than Alanis Morissette
that’s a hell of an endorsement; enough that i went and listened. not my thing. but overall seems chill.
Did you listen to Good Luck Babe? https://youtu.be/1RKqOmSkGgM
thanks for that, but i am only more confused
A lot of the music I’ve heard from her (supposedly she’s been making music for like 10 years but I’ve only heard her most recent album and single) is about the pain of being a flamboyant, proud, energetic queer woman who has been in multiple situationships with women who don’t believe themselves to be queer, or who aren’t out of the closet.
I’m a sucker for emotional contrast so I can’t get enough of the upbeat sound she has since it pairs so well with the sadness.
“Good Luck Babe” is specifically about being in a relationship with a woman who is in denial about being a lesbian; hence “you’d have to stop the world just to stop the feeling so good luck, babe”
“Casual” is another good one about having a physical relationship with someone who insists that it’s casual and just a phase but Chappell knows it’s more meaningful to the person deep down but can’t avoid the pain that comes from that person denying her queerness and transitively denying the meaning that Chappell has in her life.
The sound probably isn’t for everybody, but the intensity of the feelings that are conveyed through the music are something I know every human can relate to.
https://www.npr.org/2024/07/25/g-s1-13100/why-chappell-roan-is-the-perfect-pop-star-for-our-anxious-music-industry
Oh thanks, NPR is really good at dumbing down pop music for me.
I know of Chappell Roan because she’s recently been ruffling people’s feathers by asserting boundaries against fans’ parasocial weirdness; I’ve never heard any of her music, but this alone is enough to make me a fan.
She makes decent lesbian focused pop music. It’s fun to sing
That H-O-T-T-O-G-O verse is such an earworm.
Here’s her NPR Tiny Desk Concert
https://youtu.be/w4WiXKGCJhg
Edit: her music video for ‘Hot To Go’ shot in her Missouri hometown https://youtu.be/xaPNR-_Cfn0
And for the Elton fans, her cover of ‘Your Song’ https://youtu.be/wslno0wDSFQ
Right? Like random strangers shouldn’t be forced to real who they’d vote for, or pressured into political election related thingys…