This is the best summary I could come up with:

Chernov, photographer Evgeniy Maloletka and producer Vasilisa Stepanenko arrived an hour before Russia began bombing the port city.

Two weeks later, they were the last journalists working for an international outlet in the city, sending crucial dispatches to the outside world showing civilian casualties of all ages, the digging of mass graves, the bombing of a maternity hospital and the sheer extent of the devastation.

Chernov ended his speech by switching to his native language, uttering his nation’s salute, “Slava Ukraini,” which means “Glory to Ukraine.”

Only about 40 minutes of footage made it out to the world in real time because of poor connections, but when Chernov and his colleagues were finally able to leave, he decided he needed to do something with the 30-some hours they had on tape.

And while the awards run for “Mariupol” has come to a close, each new prize and platform has provided a stark reminder that, more than two years, later the war is still ongoing.

The film, co-directed by Ben Proudfoot and Kris Bowers, profiles the craftspeople who fix thousands of musical instruments used by Los Angeles schoolchildren.

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